![]() I think its fair to call you the DC expert on Jason Todd at this point.įrom bringing him back to life to bringing him back from incarceration, you've done a lot with Todd. The Jason Todd that was in Grant's run is absolutely present, but he's also moving forward as a different one. ![]() Does it continue exactly in the same line where Grant set him up? No, but that's what comics are about. ![]() And I think we pick up where that left off. With the insane costume and the stuff he was doing emotionally, it was great. But Grant took Jason in very awesome Grant Morrison fashion, doing this wild, I don't know, David Bowie-ish thing going on-it's very Grant, it was great. The interesting characters are like if you write a song, someone else is covering the song. I mean, I put Jason in the Red Hood costume, I made him Red Hood, so I feel a little bit proprietary towards him, but when people go in and write your characters and take them in different directions, I don't get worked up about that. Grant Morrison did a lot recently with Todd during his run on "Batman and Robin." Has Morrison's revision of Todd affected how you view or write him? ![]() ![]() There was so much material and ground I wanted to cover, but I had to just stick with the story we're going to tell, and not meander too much. I just turned in the first issue a couple of weeks ago, it's just 20 pages but I could have written 60 and still be comfortable. Well, I should probably say Batman, Batman, and Robin-both Bruce Wayne and Dick Grayson and Damian are involved, so everyone. ![]()
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